Friday, September 20, 2013

Patience

I'm typing this post from my iPhone. I've never written a post from a cell phone before, so if you're reading this, I guess I made it work ok.

Why am I typing this with my thumbs instead of with all of my fingers on a keyboard? Well, my MacBook died. I guess I did something to it (who knows what) that corrupted part of the hard drive. Oh joy. Thankfully, it is fixable and will come back soon.

...Which brings me to my topic. I think I have discovered my biggest weakness, and it isn't hand-eye coordination (of which I don't have much, but that's a different story).

Patience.

Another blog post confession: I am really terrible at being patient. I always want things to work out just so, in the perfect-picture-I-imagine-in-my-head way. Anything less leaves me very frustrated.

Mistakes? Curve balls? The unexpected? They don't belong in the picture!

I have had many people say to me over the years, "Brooke, you're such a great student!" I assume this is because I do my work well and get it done on time.

Wait. I don't get my work done on time. I get my work done WAY ahead of time. Why? I have no patience for deadlines. I have no patience to let life come in its own timeline. Nope, it all needs to get done ASAP!!

I have this annoying voice in my head. This voice is very, very impatient (and often, quite rude). I explain it to people this way. Think of a voice in your mind. It is told you have a job to do by such-and-such a date. But, instead of hearing the deadline as the amount of time you have to get something done, it starts ticking an inner voice time bomb alarm. From day 1, the brain starts stirring with thoughts. By a month out from the project/event, the voice starts pushing alarm buttons ("You really should start working on that; it will be here before you know it!!")

By 2 weeks away, the voice is starting to slam a few guilt trip/panic buttons ("What are you doing?!?! You should be done by now!!").

By 1 week away, the voice starts screaming: "OH MY GOSH, YOU SHOULD HAVE BEEN DONE LAST WEEK!!!"

If you had an inner mind gremlin doing this to you, wouldn't you want to get your stuff done early, too? Thought so.

I am taking a graduate research class this semester, and our big project is to research a topic in our field, write a prospectus (basically, a dissertation proposal) with a 30 source annotated bibliography, and give a 15 minute oral presentation from a separate typed script. My teacher has scheduled various deadlines to get all the students in the class done by the end of the semester. The first deadline was to choose a topic. I got that done and now am on phase 2: completing a proposal for the prospectus (2-3 typed pages, and a 20 source bibliography.

Two weeks out, my inner voice started yelling at me, so I went to the library to nail down some sources. I had a good list of 17 sources typed into a Word document. I found a treatise written by my main "character," Theobald Boehm, and read some of Nancy Toff's "The Flute Book." Within these two sources, I found enough information for a basic premise to prove my point.

I worked ahead on my homework so that, starting this past Wednesday, one week away from the deadline (inner voice says, "AAAHHHHHHH!!"), I could check out my sources and get my bibliography converted to Chicago style format. I turned my computer on, and the screen started getting all jumpy. After a couple manual restarts, I realized it wasn't coming back to life very easily. After 3 hours of TLC, all my boyfriend could get it to do was show a screen saying it couldn't connect to its hard drive.

Inner voice hit all panic buttons.

:&;&3&;@;;!2!!!!!!!!!

I took the computer to the shop, and just found out today it is fixable! And, I will get it back in time to work on my paper over the weekend. Phew! 

Do I like the fact that I have 5 days to finish my project? Not at all. But now, I can just wait for my computer to come back.

...which leads to my point about patience. This roadblock seems like God's way of showing me that I can accept a deadline, meet it ON TIME (not in advance), and be perfectly fine.

I noticed this patience theme again while practicing with my pianist. I was playing a page of black 32nd and 64th notes. I realized the piano part made it easier, that brilliant Franz Schubert built in some give and take between the flute part and the piano part that gave me room to breathe and relax. The impatient panic voice tried coming back, telling me that surely, I needed to work harder! "You need to get done faster!" 

I didn't listen, and guess what? I enjoyed my music far more.

I went back to the practice room, and my impatient inner voice started yelling at me about how my concerto isn't sticking in my memory. I ended up getting mentally overwhelmed and went home.

Apart from the practice room, and multiple thumbs-deep into typing this blog post, I realize that all of these perceived problems stem from my lack of patience. I am running through the field of roses pretty fast, but I haven't stopped to enjoy the smell of any of them. After briefly feeling what music should feel like when playing it, I want to smell them. 

Shut up, inner impatient voice.

Thursday, September 12, 2013

Keep on Pushing Back the Dark

Yesterday, I had a case of the "blahs." I dragged my feet a little in the morning, did my warm-ups, and went to orchestra rehearsal. Around 4 p.m., I realized I still had these "blahs" in my system. I knew I needed to "de-tox" my mind, so I went home.

And I ran. Never mind that it was 97 degrees out. I needed to inspire myself, to show myself I could break out of this ho-hum feeling. After 10 minutes of direct Oklahoma sunlight, I was starting to overheat. Thankfully, the lake by my house has strategic water fountains placed around it. I took a break and kept jogging.

There is a stretch around the lake that goes straight for a good half mile or so. It is right by the road, and no shade is available whatsoever. I managed to make it through the straightaway and around the corner before stopping for shade. I then made it to another water fountain. By this point, I was sweating profusely and starting to feel very dehydrated and dizzy. However, I managed to make it home!

The run definitely helped shake the "blah" feeling, and around 7 p.m., I headed back over to the music building to get some practicing in.

As I was driving across town, a song came on the radio. It was amazing, because it addressed every doubt in my head, every worry. The link to Josh Wilson's "Pushing Back the Dark" can be found here.
The song speaks about how we often doubt ourselves, or feel like we aren't qualified to be doing what we are doing. It then goes on to say, "Don't underestimate the God you follow," that we are attacked by these dark thoughts, but we need to keep pushing forward, because "Someone needs the light you have."

God was wrapping me up in His arms in that moment. He was saying, "Chin up, Buttercup! Now go to that campus, and you do what I brought you here for!"

Confession Interlude: I have performance anxiety. Over the years, it grew to the point in which I even got nervous to practice with people outside the room. Anytime I play my metal stick for anyone but myself, I get that dark feeling.

Practice actually has been going better lately. I have been working with a performance anxiety therapist, and she has been helping me transform those many negative thoughts into a couple positive ones.

She warned me that things would get worse before they get better. During practice, the negative voices have finally begun to shut up, which is incredible. However, I did a fake performance for my video camera, and the thoughts definitely were worse. Every tiny dark thing that has ever tried to stop me came back.

Normally, an experience like this would absolutely shred me. I would get discouraged, and it would ruin my day, my week. This time, I used my new tools. I repeated my positivity statement on the way to my car, and played my newfound song three times on the way home. My performance anxiety coach said to be persistent, and eventually the thoughts will diminish.

This morning, I looked up the "Pushing Back the Dark" song online, and I found the story behind it on Josh Wilson's website. I am going to copy/paste it here, because it is so phenomenal:


"I was in seventh grade.  It was five minutes until our Wednesday night youth service, and I was hiding, sitting on the cold tile of a bathroom in a dark corner of our church.  They were about to start the worship music, and I was supposed to be playing guitar.  I told them I was sick and couldn't go.
 I wasn't sick.  I was scared.
I was scared of what everyone else might think of me.  What if I messed up?  What if I failed miserably?  God had given me a talent and passion for music, but I was afraid to use it.  To this day, the darkness of doubt pushes me to avoid my calling.  
Last year, as I was working on this album, that darkness became tangible as I began to struggle with anxiety and panic attacks.  At one point, I thought I might have to quit music altogether.  But God promises to never leave or forsake us, and He kept that promise.  As he carried me through the rest of the record, I realized that there will always be darkness pushing me to hide.  At some point, though, every Christ-follower has to realize that we carry a sacred, burning light that is infinitely more powerful than the lies of the enemy.  Your light might seem small, but even the smallest act of love can illuminate the shadows.
 To every single mother, every missionary, every doctor and poet, every seventh grader who is scared to sing in youth group, every truck driver, politician, and school teacher, anyone who is rich, poor, young or old: someone else desperately needs the light you carry.  I think it's time that we each take that light and start pushing back the dark."

It is so encouraging to know that this man struggled with some of the same things as me, and God led him to a future in music anyway. I can feel deep within me that what I am doing right now is leading me toward something great. I know someone out there needs my "light," so I keep fighting for my freedom.

Push back the lies and darkness in your life until you are filled with light.

"Let your lights all shine when you feel like you're too small to do any good at all. Let your lights all shine like a sunrise through the window, like a symphony crescendo." 



Thursday, September 5, 2013

Negative Thought Notebook

I kicked myself out of the practice room this morning.

To understand why, we need to back up.

This week, someone gave me the advice to start a negative thought notebook. Every time I notice a negative thought, I am supposed to write it down in a notebook. I have been doing this all week, and the most interesting thing I notice is that most of my negative thoughts really get rolling when I pick up my instrument.

At first, this surprised me, but it certainly explains a lot. Technical imperfection. Muscle tension. Lack of focus. I think my negative thoughts attack me while playing my instrument because that is where my mind is vulnerable. Every time I play my flute, I have to open up a part of myself that is sensitive and real. A piece of my soul. And that is when darkness can attack!!

The good thing about this notebook is that, as I write the thoughts down, I notice how extreme and ridiculous they are. Yesterday, I was able to put the negative thoughts to rest, and even found myself replacing them with positive affirmations!

This morning was different. Maybe it was not enough sleep, or too much coffee, or just an off day, but as soon as I started scales, the negative thoughts went on a rampage! I wrote down almost 40 negative thoughts within 30 minutes! I tried putting them to sleep, but for some reason, they didn't want to rest today. My thoughts began with generic things like, "I can't move my fingers evenly!" The more frustrated I became, and the longer the mind spiraled, the thoughts grew into extreme life statements, such as the following:

"I'm not good enough."
"I'm weird and abnormal."
and even
"I'm an embarrassment to flute playing!!!"

Ridiculous, right? Reading those now, they sound very ridiculous. When my thoughts started switching from being frustrated with a few mistakes to life statement attacks, I knew it was time...

A couple weeks ago, I talked about being my own best teacher. If I were to walk into a good teacher's office and said 40 negative statements about myself, how would that teacher react? They would probably tell me to adjust my attitude and kick me out!  So, that's what I did to myself this morning.

When I was an undergraduate, I used to leave the practice room frustrated a lot. I would like to make the distinction that kicking myself out of my practice room this morning was different than leaving in a frustrated huff. In the past, the negative voice was the champion, causing me to feel so terrible about myself that I would leave.

 Now, I have the ability to look at the situation objectively, from the view of a teacher.  If you have ever dealt with children, you know that sometimes, they throw tantrums to get what they want. If you give into the tantrum, they're going to learn that is OK to do and keep doing it in the future. I refuse to let my brain's negativity tantrums rule my practice sessions. Playing flute is a privilege, and I will not allow poor thought tangents to become ingrained into my head anymore.

My flute is a special gift, and playing it is meant to be a place of individual growth and spiritual fulfillment. I will find a way for it to be that way, or I won't play at all.

Later today, I will go back, and try again. :)

Monday, September 2, 2013

AHH, SPIDERS!!

"MMMMMMOOOOOMMMMMM!!!!"

My childhood self stood frozen, wide-eyed, and pointing my finger at the intruder while waiting for my mom to come rescue me. A "giant" black spider was crawling across the white ceiling, only two feet above my top-bunk bedspread. Mom would come in and "save" me from the scary arachnid, my heart rate would return to normal, and I would go back to my day.

One of my biggest fears as a kid was spiders. I HATED almost all bugs (ladybugs and butterflies were the only exceptions), and the eight-legged variety were the scariest. The strange thing about this fear was that I had a large stuffed spider that I considered to be my friend. I wasn't scared of "Spider," as he was so creatively named, at all. I gave him hugs. I put him on my head - as I weirdly did with many of my stuffed animals. He even got to stay on my bed with me, an honor bestowed to only my favorite stuffed animals.

I owned several strange breeds of stuffed animals, types that would terrify me in real life - an orange crab, a red lobster, and even a purple scorpion. Why were these plush toys considered safe to me, while the real ones were things to fear?
_______________________________________________________

Recently during my flute practice sessions, I have been searching for a way to solve a long-standing problem. Whenever I play fast, my fingers tighten up and the notes don't speak quite as clearly as they could. This happens despite repeated practice at various tempi. The reason why has remained a mystery for quite some time. 

After my recent color experience, in which I was able to play scales quickly and (for the most part) cleanly at rapid tempi by associating them with the color light blue, I was convinced my problem with technique wasn't to be solved with "more practice" at all. I have the ability to play fast! The real obstacle? FEAR. At some point, a long time ago, I convinced myself that scales (and fast playing in general) were difficult. The thought embedded in my mind so deeply that almost all the time that I play fast now, my hands tighten up. They prepare for difficulty. 

I looked at my Schubert Variations the other day. Variations I and V contain some rapid passages. However, I look at the notes, and I know I can play all of it. The notes aren't difficult. They are scalar, things I have played for years. Yet, when I attempt to build them up to tempo, my hands tighten as always. I found myself asking - Why? Why do these notes appear easy when I mentally break them down, but they feel so difficult when I speed them up? 

Franz Schubert, Variations on Trockne Blumen, Var. 5

I admitted to myself that I needed to re-train my brain. I needed to find a way to convince myself that rapid notes in succession weren't scary. So, I slowed down my thoughts. I really looked at the first variation and thought, "What is causing me anxiety in this passage, and what can I do to alleviate that anxiety?" I found a few sections in which more fluid playing was as simple as not pressing down my right hand pinky key.

Today, I repeated the process of training my brain so it could know that the rapid passages weren't difficult. I memorized the first half of Variation 1 and slowed it down. To half speed. Now, I really don't like playing things ridiculously slow. My brain hears the finished product, and slow playing seems to remove the magic of the music for my ears. However, I realized, in order to get to the finished product I desired, I needed to show my fingers that these notes weren't difficult. I repeated the passage several times from memory, gradually building up to 3/4 speed. And then I stopped and put it away. Going any faster would have allowed the fear to come back

Now, I am confident at 3/4 speed. If I can get to 90% tomorrow, that will be excellent progress. What I am seeking to do is to alleviate the irrational fear into which my mind trained itself. Exposure therapy. If I show myself the notes aren't difficult at half speed, or 3/4 speed, or 90% speed, well, my chances increase that it won't be so bad at 100% speed either.

I share an office with other graduate assistants, and while I was practicing the Schubert slowly, one of my fellow graduate students knocked on the door. I explained to him what I was doing in this way: "Somewhere along the line, I convinced myself that playing fast was scary. So now, I am slowing it way down and proving to myself that it isn't. It's exposure therapy, like you would do with someone who is afraid of spiders. You show the person a picture of a spider, then give him a stuffed spider, then a spider in a cage. Eventually, you get to the point in which the person can touch a tarantula. Well, that is what I'm doing here. I'm showing myself gradually that I can touch the tarantula, and it will be OK."

_______________________________________________________

That is when I thought of my good friend Spider. So why was my big Spider safe and cuddly to me, while tiny spiders were the most frightening thing in the world? 

All stuffed animals were safe to me. My brain was convinced, until the end of the world, that any type of stuffed animal, even a spider, was OK. Contrarily, my mind had learned that tiny, REAL spiders were unsafe. These both were learned, conditioned responses. I had received exposure to the point that my beloved stuffed Spider was safe, but not enough that the real thing was.

Eventually, I got to the point in which I could take care of the real spiders myself. I didn't have to stand, point, and scream for help whenever I saw one. I now know that, while spiders still give me the heebie-jeebies sometimes, they aren't scary to the point of petrifying me. The same will happen with my music as I teach myself the skill of safety.