However, the difference between now and when I have previously been declined from auditions and competitions is that there is another voice fighting for its say within me. It is saying, "Wait a minute...something isn't right here."
I performed in this same competition one year ago. I remember not sleeping the night before, tossing and turning in bed because I was so nervous. I got out on the stage and felt terrible. For 30 minutes, I didn't feel like I was performing at all, but simply trying not to panic. After that competition, I felt so terrible about myself and my playing that it was difficult to get myself to play at all. I took my graduate school auditions in January and hardly touched my flute until April.
This year, I was nervous, but it wasn't a crippling nervous. It caused a couple stumbles early on, but I still feel like I got my message across. I even performed a piece from memory without slips! Instead of my comment sheets being filled with details like intonation and technical problems, I actually received a lot of compliments. Simply receiving comments to improve more "mature" musical aspects like phrasing is definitely a step forward.
I have been doing quite a bit of reflecting since on what causes ebbs and flows in my desire to practice and my perception of myself as a player. I realize I have been taking most of my feedback from other people and treating it as face-value truth. In the music world, compliments are rare and like diamonds: musicians treasure them when we get them! No wonder I sometimes feel like I am not a very good player! I play, fishing for those compliments and competition wins; in the meantime, I never stop to check my own experience.
The truth is, no one knows my musical journey except for me. A judge who listens to me play for 30 minutes doesn't know that I grew up 140 miles from the nearest professional flutist, that I didn't take a single flute lesson until I was 16, that the only "flute literature" I played before college was a Handel sonata and part of a Mozart flute concerto, that I didn't know how to play my minor scales until I came to college, and that I didn't own a professional model flute until three years ago. The judge doesn't see my performance anxiety struggles I've gone through, and all the help I have sought out to finally see some freedom in my performances. No one knows the hard work I had to put in the last couple years to improve as much as I have: except me.
I don't expect anyone listening to me to care about any of these things. However, I need to remember and give myself credit for my progress. If I wait for others to give me a "good job," I will probably be waiting quite a long time.
As I was thinking about these things yesterday, I had a sudden desire to go to the bookstore. I wanted to buy a new practice journal. I have one already, but as I thought about it, it is filled more with things to pay attention to and practice than credit for the many improvements I make along the way. I am very detail oriented and good at hearing the things I am doing incorrectly; yet, I often forget what I am doing well.
I bought what I am calling the "flute win" book. In this journal, nothing but positive thoughts can be written. As I fill this book with positive thoughts, I can continually go back and see the positive progress I have made along the way. This is not meant to be some sort of self-gloating exercise, but simply one of credit - the credit that only I can give to myself. Instead of waiting for a competition or audition win, I can track the small "flute wins" that happen on a daily basis, small improvements that are easy to gloss over in a desire to be better.
My "Flute Win" practice journal.
Happy practicing!
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